Tag Archives: By: Erin & Corin

Flesh for Frankenstein (1973)

Flesh for Frankenstein (1973)
Review by: Erin Page & Corin Wentworth

WHAT IT’S ABOUT: In Serbia, Baron Frankenstein dreams of a creating super-race from not one but two perfect creatures — a female monster and a male counterpart. He needs only to complete his male monster before the breeding experiments can begin. But first, Frankenstein must find the PERFECT head for his sinister superlover.

REVIEW: In every group of cult/horror fans, there’s always one twisted loner who watches a gruesome, erotic bloodfest and still craves more. Couldn’t it be just a little MORE fucked up? If this sounds familiar and you’ve found yourself suffering time and time again through the same old supposedly shocking, demented films wishing that they’d just take that EXTRA hard left turn and really crank shit up a notch, then do we ever have the movie for you! Andy Warhol’s Flesh for Frankenstein just might be the cure for the common cult.

At last! Just what you’ve always wanted!

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The Crush (1993)

The Crush (1993)
Review by: Erin Page & Corin Wentworth

WHAT IT’S ABOUT: When a writer rents a room from a wealthy couple, their teenage daughter develops an unhealthy and dangerous attraction to him.

REVIEW: When a college-educated adult messes around with (and gets burned by!) a fourteen-year-old girl, who is REALLY to blame here? The Crush would have us believe that his innocent (yet illegal) actions were a mistake, and the events that befall him are tragic and unfair. We at Twins of Evil Co. see things a bit differently. You will find this movie much more enjoyable if you approach it from the villain’s perspective! Instead of a tale of obsessive love gone wrong, this is our review of a sexual predator who deservedly gets what’s coming to him.

Nick (Cary Elwes) is a writer of indeterminate origin and skill who is new to town and looking for a place to live. What his job is exactly, we couldn’t figure out — but it seemed to involve writing, lots of board meetings, and an occasional clandestine rendezvous in a limousine with bearded weirdos in suits. How he got the job is unclear, as he doesn’t seem to be very good at it. Where he came from is also unclear, as Mr. Elwes struggles blandly to nail down anything resembling a natural American accent.

ERIN: What I find unclear is why the hell I had such a huge thing for him in the ’90s.

CORIN: Yeah, watching it now, he’s a lot more… what’s the word?

ERIN: …mashed-potato-y?

CORIN: That’s it. He’s much more mashed-potato-y than I remember. White. Mildly enjoyable…

ERIN: Not as buttery.

CORIN: He had that hip, split-level ’90s hair I liked.

ERIN: I’ll give him that. He had the whole non-threatening, sweater-wearing, might-take-you-on-a-duck-shaped-paddle-boat-ride thing going on.

CORIN: I don’t know if I’d take him up on that ride anymore.

As IF!

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Phantom of the Opera (1998)

Phantom of the Opera (1998)
Review by: Erin Page & Corin Wentworth

WHAT IT’S ABOUT: A troubled madman stalks the shadows of the Paris Opera House and falls in love with a young singer.

REVIEW: A classic tale of romance and horror, as told by a visionary Italian legend, starring his voluptuous daughter and the motherfucking Warlock. What more could you want? However, it seems that this flick has been universally despised for the last decade, tossed aside like the lowest form of cinema garbage. Watching this movie for the first time, we couldn’t figure out why… and then it struck us: it’s those cranky Phantom fans! If you come to this movie expecting the beloved musical version (or anything resembling the original novel) prepare to be butthurt. This is Dario Argento, and he doesn’t care about your phucking Phantom. If seeing a pair of titties leaves you aghast and appalled, wringing your opera gloves — go see the stage production. You’re fucking it all up for the rest of us.

Trust us. You’ll see A LOT more than titties in this movie.

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